Showing posts with label Ramones. Show all posts
Showing posts with label Ramones. Show all posts

Monday, May 28, 2012

SOMETHING NEW, SOMETHING OLD

The hangover weekend after the Van Halen concert, that event still swirling in my mind.  The craving for more pushed me into making new arrangements to get a second dose of their on stage party.  I tried drowning out the sound with new music this Firday and Saturday night.

Beastie Boys
Paradiso Amsterdam June 21, 1994

And now for something totally diffeent...in recognition of a) Adam Yauch's recent passing and b) Tony having gotten a tattoo on his arm noting the band and their second studio album, Paul's Boutique, I looked for and found the excellent soundboard recording of the Beastie boys performing in Amsterdam. The Beastie Boys are an American hip hop band from New York City, that originally formed as a four-piece hardcore punk band in 1979. For the majority of its career, the group has consisted of three MCs and musicians Michael "Mike D" Diamond (vocals, drums), Adam "MCA" Yauch (vocals, bass) and Adam "Ad-Rock" Horovitz (vocals, guitar). 

Download it here:
http://www.filefactory.com/file/c0282a3/n/Beastie_Boys_1994-06-21_Paradiso_2C_Amsterdam_2C_NL__5BSBD_5D.zip



Blur
Roskilde Festival Denmark June 28, 2003

Continuing my exploration of the mid 1990's Britpop scene, brought on by reading John Harris' book "Britpop, Cool Britannia and the Spectacular Demise of English Rock", I downloaded Blur's live show at the roskilde Festival in Demark, another excellent soundboard recording.

Wikipedia writes:

Blur are an English alternative rock band. Formed in London in 1988 as Seymour, the group consists of singer Damon Albarn, guitarist Graham Coxon, bassist Alex James and drummer Dave Rowntree. Blur's debut album Leisure (1991) incorporated the sounds of Madchester and shoegazing. Following a stylistic change—influenced by English guitar pop groups such as The Kinks, The Who, The Beatles and XTC—Blur released Modern Life Is Rubbish (1993), Parklife (1994) and The Great Escape (1995). As a result, the band helped to popularise the Britpop genre and achieved mass popularity in the UK, aided by a famous chart battle with rival band Oasis dubbed "The Battle of Britpop".

Frontman Damon Albarn went on to form the virtual band Gorillaz, composed of four animated band members created in 1998.  Love their music too.

Download it here:
https://www.rapidshare.com/files/512123223/betruwuwru1.rar
https://www.rapidshare.com/files/3873127674/betruwuwru2.rar




The Ramones
Winterland San Francisco CA December 28, 1978

I was wanting another hit of fast guitars and picked up The Ramones performing live in San Francisco back in 1978 when the punk music scene was in decline after blosseming for just a brief few years .  "One, two , there, four" and off they go!

Download it here:
https://rapidshare.com/#!download|684|3613259337|RamlandSFDec281978.rar|111055



The Doors
Live In New York, January 18, 1970

This is show three, performed on the second day of their two day stint in New Your City.  Excellent performance and sound.  Nothing more to say.

"Other highlights abound throughout the set such as “Moonlight Drive” from the third show which is hypnotically perfect in every way. The band is dead-on in backing up one of Morrison’s finest vocal performances complete with the “Horse Latitudes” poem – when the band lays back and let’s Morrison do his thing the performance becomes pure Doors magic, a perfect blend of heavy groove and exotic mysticism."

Read it here:
http://www.musicmookreview.com/2011/05/the-doors-live-in-new-york-1970/




Echo and the Bunnymen
Bologna Teatro Tenda May 17, 1984

The Bunnymen in a decent live recording from a show in northern Italy.  Classic performance.

Download it here:
https://rapidshare.com/#!download|776|2517085833|EATB170584.rar|76453



Tuesday, January 17, 2012

FUGAZI RULES

A short week, Friday arrives and I go see Jack at his bookstore/gallery/coffee shop, Mutiny Now! to say hello and find out what's happening in the neighborhood.  Although I vowed to reduce unnecessary spending in 2012, I fell in love with his latest piece of art, hung up on the wall only a day earlier.  As I finished paying and I was attempting to figure out how I would carry the painting back to the office on bicycle, he got a phone call telling him the time had come to put their aged dog Pinky to sleep.  Saddened by the news, he locked up the store and departed.
More pictures from last weekend, including a shot of the only real "skiing" I did the whole time at the cabin.

Out there all alone
A place where no one listens
Stands against the world

Late Friday starts off with the second of three nights Fugazi performed at Irving Plaza, on April 4, 1995. "Fugazi have been around since 1988, currently on hiatus, and they rock. They have a very cool attitude to the business of music, sticking to their indie label when majors came-a-courting, as they felt they were selling enough albums without having money to promote them, and also treat their fans with great respect. They've always tried to keep tickets prices at a reasonable cost, $5 in the US, and have a no 'slam-dance' policy, a relic from the punk/hardcore days, 'cos these people just get in the way of an enjoyable gig."

Send them to invade
Armed boys in camouflage
Shoot at the shadows

Download it here:
http://www.mediafire.com/?378h41zyw3hq9fk

Canned speeches promise
Claim to be the masters, at
Not telling the truth

The first show up Saturday night was Nirvana on November 26, 1989 at Bloom in Mezzago, Italy. After "School," Chad had problems with the snare drum, prompting Krist and Kurt to improvise a jam and then jam on Led Zeppelin's "Dazed And Confused" with some vocals by Krist. "Ah, guess the snare drum broke." "I'm gonna fix it!" Another great show in a small venue before an Italian audience. "Por favor espanol?"

Their lying exposed
People who have grown tired
The party's over

Download it here:
http://www.mediafire.com/?nzmnynuumnt

Think like an arrow
They see light in the darkness
Kamikaze dreams

Here's Fugazi again, the third night at Irving Plaza back on April 5, 1995.  Another superb recording and performance by the band.  I ran across a poster of the bands performance at the Ogden Theater here in Denver.  I must have been asleep in 1995.

On April 8, 1995 the New York Times wrote:

With integrity as important to alternative-rock as heartbreak is to country music, Fugazi should be king. The hard-core rock band, which grew out of the ashes of the influential Washington, D.C., band Minor Threat, sells concert tickets for no more than $5 (a third of what bands of their stature usually charge), refuses to make videos, declines to sell T-shirts and other merchandise at its performances, has not signed with a major record label, sells its self-pressed CD's for less than $9 and performs only at all-ages shows. At its sold-out performances at Irving Plaza on Tuesday and Wednesday, the band showed that even with a punk revival in full swing, it isn't afraid to chastise the fans to their faces ("Sir, do us a favor and don't roll on people's heads," the singer and guitarist Ian MacKaye said to one crowd-surfer on Tuesday) or to break down the boundaries of hard core.


Download it here:
http://www.mediafire.com/?u6ley5k9aq3c4nd

Public Image Limited at the Coachella Music Festival on April 16, 2010.  I was there in the crowd.  After a fabulous show by Echo and the Bunnymen, followed by Vampire Weekend, I was blown away when John Lydon and his band were the last guys to take the stage that evening and upped the ante with their hypnotic performance.

This is an excellent audience recording from another source.  See my earlier post of this concert, along with my recording of the event:
http://whatatemper.blogspot.com/2010/04/time-to-take-your-pil.html

I still get a thrill from this recording when at the very start of the show he calls out "Turn up the volume Walter!"



Download it here:
http://www.mediafire.com/?dtqxjyyme5m


"Hey Ho Let's Go" Monday night with a cigar after dark.  This bootleg was recorded at the Palladium in New York City on January 7, 1978 and has amazing sound quality. Originally recorded for a King Biscuit Flower Hour radio show and taken from a decent stereo board mix, this set chronicles The Ramones at their peak before an adoring home audience. The group had just returned from a triumphant European tour during which It's Alive had been recorded at the Rainbow Theatre on New Year's Eve just a week before. Tommy Ramone is the drummer on this recording. He left the band soon afterwards, although he continued to work with them as a producer and manager. This is his last album as the Ramones' drummer.
Here's a comment left by someone on another site that was offering the recording for sale:

Blazing through twenty-three cuts in under an hour, Live, January 7, 1978 at The Palladium, NYC documents The Ramones at the peak of their powers. Ask me who the greatest Rock and Roll band that ever took the stage, eight days of the week I’ll tell you it was The Ramones. Their peak as a live act - the late seventies through to the mid-eighties - scale heights most bands are not able to dream of reaching. This album is so penetrating it rips a hole through my skull every time. It’s similar to the It's Alive LP, recorded a week previous - excluding ‘Judy is a Punk’, the set list is identical – but the performance may be a tad more intense. I know, that doesn’t sound possible…

The Ramones are probably the most definitive Rock and Roll band the world will ever have the pleasure of knowing. So enjoy. This is all we have left.



Download it here:
http://www.mediafire.com/?gb2w56hqdy63rwc

Sunday, November 28, 2010

INTRODUCING THE RAMONES


I made the mistake of opening an email late in the afternoon on Friday, involving a subject I knew would fire me up in a negative way. And sure enough, that's what happened, leading me to stay in the office long after everyone else had left on this holiday weekend. I needed something to flush the thought from my mind. Tequila, music and a cigar would help me forget, at least temporarily.


First up was the Ramones, performing live in Utica NY on November 14, 1977. On that date I was only a couple hundred mile west of them, down interstate highway 90, attending SUNY Buffalo. At that time, music was far from my mind, something I'd listen to just for a distraction from studies. I believe I saw Meatloaf that year, one of my first concerts ever.

This show is an excellent soundboard recording, during which they perform 18 songs in less than 40 minutes. There are times during the show when they remind me of a punked out Beach Boys. This show took place shortly after they released Rocket to Russia, their third studio album, as was noted on stage this evening.


Wikipedia describes then as follows:

The Ramones were an American rock band that formed in Forest Hills, Queens, New York in 1974, often cited as the first punk rock group. Despite achieving only limited commercial success, the band was a major influence on the punk rock movement both in the United States and the United Kingdom.

All of the band members adopted pseudonyms ending with the surname "Ramone", though none of them were actually related. They performed 2,263 concerts, touring virtually nonstop for 22 years. In 1996, after a tour with the Lollapalooza music festival, the band played a farewell show and disbanded. By a little more than eight years after the breakup, the band's three founding members—lead singer Joey Ramone, guitarist Johnny Ramone, and bassist Dee Dee Ramone—had all died.










Download it here:



What I was really waiting for this Friday night was Public Image Limited, their show at the Top Rank Suite in Brighton, UK on November 2, 1983. A great sounding recording. "Stop gobbing you cheap little turd" exclaims John Lydon after their first number, something he'd say countless times over the years to get the audience to stop spitting at him, a habit that came out of their Sex Pistols days. Elsewhere during the show he taunts the audience and tries to make them boo loudly. He has real stage presence!